Adjusts the input volume of the chorus to prevent clipping or increase the level of the processed signal. This slider is set to a default of +3 dB. If your source audio has been recorded very close to peak level, this +3 dB default setting could cause clipping. Use this control to reduce the input level.
Selecting the Sum Inputs button sums the dry input signals (mono or stereo) before processing them. The dry signal then appears in the center of the stereo field and the wet, effected signal will be output in stereo.
When the Sum Inputs button is selected, the LFO waveform on the right channel is automatically phase inverted to enhance the mono-stereo effect.
Adjusts the balance between the effected signal and the original signal and controls the depth of the effect. Mix is adjustable from 0% to 100%.
Controls the cutoff frequency of the Low Pass Filter. Use this to attenuate the high frequency content of the feedback signal. The lower the setting, the more high frequencies are removed from the feedback signal.
The range of the Low Pass Filter is 20 Hz to 19.86 kHz, with a maximum value of Off (which effectively means bypass).
Sets the delay time between the original signal and the chorused signal. The higher the setting, the longer the delay and the wider the chorusing effect. Delay is adjustable from 0–20 milliseconds.
Adjusts the rate of the LFO (low frequency oscillator) applied to the delayed signal as modulation. The higher the setting, the more rapid the modulation. You can select either a sine wave or a triangle wave as a modulation source, using the LFO Waveform selector.
Adjusts the intensity of the LFO applied to the delayed signal as modulation. The higher the setting, the more intense the modulation. Use the LFO Waveform selector to select a sine or a triangle wave as a modulation source.
Controls the amount of feedback applied from the output of the delayed signal back into its input. Negative settings provide a more intense effect.
Selects a sine wave or triangle wave for the LFO. This affects the character of the modulation. The sine wave has a gentler ramp and peak than the triangle wave.